Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
Covid-19 has taken a lot of things from us. Like the ability to breathe without a piece of cloth in front of our faces. And the chance to meet up with a group of friends without strategic planning. And the opportunity to head to… Continue Reading “3 Things I Learned About Making Art from James Ijames’s White”
Greek to me. After three months of working, I’ve finished the draft of the gender-reversed adaptation of William Shakespeare’s Julius Caesar that I’ll be directing throughout October and November. (We open in December! If you’re in Colorado Springs, you need to come see this!)… Continue Reading “Rewriting the Bard: Julius Caesar”
Kerouac, Burroughs, and Direct Collaboration Direct collaboration, as opposed to indirect collaboration (which we’ll talk about next week) is where a writer works directly with one or more people on a specific piece. Jess Weaver and I developing the Christmas play for Springs Ensemble Theatre’s… Continue Reading “Kerouac, Burroughs, and Direct Collaboration”
Opening tonight at Springs Ensemble Theatre!! Rapture, Blister, Burn by Gina Gionfriddo is sharply-funny (if you like that sarcastic, smart kinda humor…which I do). It’s about Catherine, who has gone off and become a Neil-DeGrasse-Tyson-style academic of women’s studies. But she comes home to… Continue Reading “Rapture, Blister, Burn”
A couple months ago, the new owners of the Damon Runyon Theatre in Pueblo gave us SET ensemble members an opportunity to dig through their stuff (and if you’ve ever been in a community theatre, you understand there’s always a TON of stuff) and… Continue Reading “Introducing: Writing Desk II”
This is the set of Opus by Michael Hollinger (designed by Jack Salesses) that I’m directing at Springs Ensemble Theatre. If you’re in Colorado Springs, Colorado, in the next couple weeks you should check it out.