Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
Tonight is the opening night of Theatre ‘d Art’s production of A Clockwork Orange — in which I am playing Alex’s mother and the orderly who straps him into the cinny contraption. Aside from the insane story, the insane in-your-face staging (we’re doing it… Continue Reading “A Clockwork Orange: The Book, The Movie, The Play”
Writers like Alameddine are interesting because living in more than one culture (he grew up in Lebanon and Kuwait, then moved to England, then to America) gives unique flavors to the writing. An article I read for my thesis is “Home: Territory and Identity”… Continue Reading “Third Culture Kids”
I have attached a diagram to illustrate the many layers of The Hakawati. The novel’s structure is kind of like a braid. There are three main lines of story that intertwine: The present, the past, and the fairy tale. These main lines then have… Continue Reading “Layers Like Baklava”
This month’s mentor is one I like so much I actually wrote about him for my MA thesis. Since I don’t want to let all that dense academic jargon go to waste, I’m going to be pulling bits from my thesis to help me… Continue Reading “Modes of Storytelling”
Some people ask, how do you know you’re a writer? Answers vary: when I’ve finished the first draft of my first novel; when I’ve been accepted by an agent; when I’ve been published; when I’ve sold X amount of books; when I’m an answer… Continue Reading “When Writing Is It”
My daughter, who is three, is on her way to being the next Neil Gaiman. Bronwen likes to tell stories. The other day we were driving somewhere, the destination is unimportant, and she asked me if I wanted to hear a story. Always open to… Continue Reading “Chapters in Which Something Happens”