Category: Jack Kerouac

Kerouac’s Genius/Interpreter Theory vs. Jenny’s Genius/Genius Theory

We’re going to finish up our exploration of Kerouac with a couple of differing opinions on the form “genius” takes. “Let’s examine the word ‘genius.’ It doesn’t mean screwiness or eccentricity or excessive ‘talent.’ It is derived from the Latin word gignere (to beget)… Continue Reading “Kerouac’s Genius/Interpreter Theory vs. Jenny’s Genius/Genius Theory”

Writing the Windblown, Schizophrenic World

I came across this fascinating book called Windblown World: The Journals of Jack Kerouac 1947-1954 — which covers the period of time when he wrote his first novel The Town and the City and his second On the Road. Basically, it’s a log of his… Continue Reading “Writing the Windblown, Schizophrenic World”

Lightning, the Lightning Bug, and the Price of Some of Kerouac’s Revisions

**Be forewarned, adult language/content** Mark Twain once said something like (I don’t have the direct quote in front of me): “the difference between the right word and the almost-right word is the difference between lightning and the lightning bug.” Agree or disagree, Twain has a point.… Continue Reading “Lightning, the Lightning Bug, and the Price of Some of Kerouac’s Revisions”

Create Your Own Scroll: Writing Wednesday

Kerouac wrote On the Road on one long, continuous scroll of paper. He plugged away on a typewriter and chugged that bad boy out in about three weeks. It’s time we did the same, word-writing friends. Okay. I know. We don’t work on typewriters… Continue Reading “Create Your Own Scroll: Writing Wednesday”

Charactouac? or Kerouacter?

“New Criticism locates meaning in the internal qualities of literary works, specifically the unity of their multiple verbal structures. as much as it values unity and convergence, New Criticism eschews authorial intent and historical context as bases for interpretation, although it allows that they… Continue Reading “Charactouac? or Kerouacter?”

The Scroll

Once upon a time there was young man named Jack who wrote a novel on a long scroll – one hundred feet long – no punctuation – no paragraph breaks – no rules – hopped up on bennies. After spending seven years on the… Continue Reading “The Scroll”

Kerouac’s Collaborative Circle: Indirect Collaboration

You may think that all you need to write good books is will-power, a stellar idea, and a cave. You may think that hiding in a cubby hole with a full-battery-power laptop is all there is to turning out a tale worth telling. Perhaps… Continue Reading “Kerouac’s Collaborative Circle: Indirect Collaboration”

Kerouac, Burroughs, and Direct Collaboration

Kerouac, Burroughs, and Direct Collaboration Direct collaboration, as opposed to indirect collaboration (which we’ll talk about next week) is where a writer works directly with one or more people on a specific piece. Jess Weaver and I developing the Christmas play for Springs Ensemble Theatre’s… Continue Reading “Kerouac, Burroughs, and Direct Collaboration”

The Kerouac-Ginsberg Letters: You Have to Write More than You Think

Jack Kerouac attended Columbia University for a while. It was there he met and started hanging around with some other names you may know – most notable fellow novelist William S. Burroughs and the poet Allen Ginsberg. Because we can’t talk Kerouac without talking… Continue Reading “The Kerouac-Ginsberg Letters: You Have to Write More than You Think”

The Great American Novel and Jack Kerouac

The Great American Novel. Books as varied as Mark Twain’s The Adventures of Huckleberry Finn, John Steinbeck’s The Grapes of Wrath, Margaret Mitchell’s Gone with the Wind, F. Scott Fitzgerald’s The Great Gatsby, Harper Lee’s To Kill a Mockingbird, and, more recently, Jonathan Franzen’s… Continue Reading “The Great American Novel and Jack Kerouac”

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