Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
There are a million ways to establish a setting. The easiest and most straightforward is to describe the setting in narration — just lay out how things look. But there’s more to a setting than physical surroundings and sometimes plain old description just doesn’t… Continue Reading “Colloquialisms as a Way to Set Up Setting”
Dead Man’s Cell Phone Production Poster (Designed by: Linda Nichols) Sarah Ruhl is the second most performed playwright in the United States — second only to the Bard his own self. This is the last weekend that it will be performed in Colorado Springs… Continue Reading “Sarah Ruhl’s Stage Directions”
I’m trying to read Shakespeare’s works in the (generally) agreed upon order in which they were written. That means there’s a lot of histories up front. Right now, I’ve finished the Henry VI trilogy and am moving on to Richard III. And, really, the only… Continue Reading “The Original Pronunciation of Shakespeare”
This week’s Saturday pages is all about figurative language and taking leaps. I’m also going to offer you different levels to try your hand at – depending on whether you a lighter writing exercise or if you’re game for some heavier lifting. The most… Continue Reading “Ready, Set, Leap”
Read a bit of Neil Gaiman and you’ll quickly realize that he has flexible ideas of reality. Yeah, I know his stock in trade is fantasy. I’m not talking about that. No, what I’m talking about is Gaiman’s willingness to take leaps, and his… Continue Reading “Taking Leaps”
“Gravitas” is one of my husband’s million dollar words when he’s offering a critique. It’s a tricky word to digest when it’s thrown at you like: “This needs more gravitas.” He’s much more eloquent but, I mean, what can you do with that? Generally… Continue Reading “Adding Gravitas: Kerouac’s Word Choices”
Agatha Christie is my third mentor for this year, and she’s also the third British writer who published actively in the ’20s and ’30s. Woolf, Wodehouse, and Christie could, very conceivably, have hung out and had some beers together. They were all about the… Continue Reading “Product-of-Your-Time Rhetoric – Is Awareness the Answer?”