Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
We’re going to finish up our exploration of Kerouac with a couple of differing opinions on the form “genius” takes. “Let’s examine the word ‘genius.’ It doesn’t mean screwiness or eccentricity or excessive ‘talent.’ It is derived from the Latin word gignere (to beget)… Continue Reading “Kerouac’s Genius/Interpreter Theory vs. Jenny’s Genius/Genius Theory”
I came across this fascinating book called Windblown World: The Journals of Jack Kerouac 1947-1954 — which covers the period of time when he wrote his first novel The Town and the City and his second On the Road. Basically, it’s a log of his… Continue Reading “Writing the Windblown, Schizophrenic World”
**Be forewarned, adult language/content** Mark Twain once said something like (I don’t have the direct quote in front of me): “the difference between the right word and the almost-right word is the difference between lightning and the lightning bug.” Agree or disagree, Twain has a point.… Continue Reading “Lightning, the Lightning Bug, and the Price of Some of Kerouac’s Revisions”
Kerouac wrote On the Road on one long, continuous scroll of paper. He plugged away on a typewriter and chugged that bad boy out in about three weeks. It’s time we did the same, word-writing friends. Okay. I know. We don’t work on typewriters… Continue Reading “Create Your Own Scroll: Writing Wednesday”
“New Criticism locates meaning in the internal qualities of literary works, specifically the unity of their multiple verbal structures. as much as it values unity and convergence, New Criticism eschews authorial intent and historical context as bases for interpretation, although it allows that they… Continue Reading “Charactouac? or Kerouacter?”