Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
Read a bit of Neil Gaiman and you’ll quickly realize that he has flexible ideas of reality. Yeah, I know his stock in trade is fantasy. I’m not talking about that. No, what I’m talking about is Gaiman’s willingness to take leaps, and his confidence that you’ll leap with him.
A couple of years ago, I got to go with some friends to see Neil do a book reading in Boulder. The featured book was The Graveyard Book. Now, there is an author who knows how to read his stuff. If you think you can hear his voice on the page, it’s totally a treat to actually hear him speak the words. The part of that reading that I especially love is when he was describing his inspiration. He described taking his son to the local graveyard to play, because a graveyard is practically the same as a park, and looking at his son among the headstones and thinking, “He looks so natural there.” Where other people might think of that as an odd thought to have, Gaiman embraced it and wrote a whole book about that image of a boy in a graveyard. Coraline gets the creepy factor from the button eyes, and Stardust is all about a shooting star that’s actually a woman. Because, obviously, that’s the way it’s supposed to be.
Pay attention to the language of the writing, and you’ll see a man who loves metaphors and similes. Everything is something else. During the book reading, it really stuck out to me how much he uses the word “like” in descriptions. And, for most of us, that “like” is all it takes to let us take the leap with him.
One of the things I’m trying to take away from Gaiman as a mentor is that confidence and that imagination to look for the comparisons that aren’t obvious. When we think of metaphors, there are the easy grabs, the “likes” that leap to your mind right away:
His face turned red as a tomato
The news fell on her like a ton of bricks
But, everyone’s seen those before. They might convey an idea, but they lack oomph. Take a bigger leap, travel farther from what’s easy, and you take a greater risk that maybe your reader won’t leap with you. Then again, maybe you get a bigger pay off:
His face turned red as the poorly-knitted sweater his aunt had cursed him with last Christmas
The news fell on her like a drunk polar bear
Okay, so maybe you went with me on those. Maybe you didn’t 😉 The point is, the second set is more memorable than the first. Say what you will about the great authors, one thing they’re not is forgettable.
Quick! Time to practice your leaping! Leave a comment with your own, leaping, versions of the figurative language examples above.