Earlier this year, the Wall Street Journal took a series of hits for this article by Meghan Cox Gurdon. Her argument is that Young Adult Literature is DARK: “Darker than when you were a child, my dear: So dark that kidnapping and pederasty and incest and brutal beatings are now just part of the run of things in novels directed, broadly speaking, at children from the ages of 12 to 18.”
A great many people have already gone off on this article and its overarching condescending tone toward today’s young adult literature. For the most part I agree with the bulk of the article’s dissenters, though, and I’m only going to say this so that you guys know where I’m coming from completely, I can see Gurdon’s argument if I look at how the subject matter is treated. Sex is a big deal. Cursing and language and expression are big deals. Violence is a big deal. Books and movies are currently how kids and teens learn to address their world and a blasé attitude towards these things is not to be lightly tolerated. And, quite frankly, I was unimpressed with the ‘gravity’ given to sex in the Twilight books – which millions of teens ate up – just an example, and just my opinion.
That being said, I can’t help but LOVE Sherman Alexie’s response to this article. (He was called out in it.) In his own Wall Street Journal reaction Alexie says that it’s too late to protect the kids. By the time kids read the teen books, the trouble has already hit them in real life. How do you tell a teen mom to not read about sex? Alexie says: “I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.”
Sounds a lot like the G.K. Chesterton quote: “Fairy tales, are more than true. Not because they tell us that dragons exist, but because they tell us that dragons can be defeated.“
Neil Gaiman’s The Graveyard Book reminds me of those fairy tales. Here is the boogey man, come to slaughter a family, and only the chosen/blessed/selected child escapes. Sure, it’s dark. Sure, it’s scary. But I don’t think that anyone gets through life without suffering, without being frightened. By the time kids are old enough to read this book and understand what’s going on, they will have heard about horrible events on the news, they will have experienced fear of something. What’s beautiful about this book is that the main character, Bod, is raised by the very ghosties and ghoulies children fear when they are very young. Bod, a child, is given gifts that make him like them – he can see in the dark, he can Fade, he can Haunt.
And when he is strong enough, he must face his greatest threat – which is not a ghost or a ghoul, it is a man named Jack. A man. A person who is just like Bod. Living, breathing, and violent.
Not to give away the end or anything…but Bod defeats him.
So, as stressful as it may be to be a parent and have darkness facing your child from every bookshelf, it is a necessary thing. There are monsters in the world. That is real. There are problems in the world. That is real. But you always have to remember there is light on those bookshelves too – the dark is defeated, its power is negated.
The darkness facing a parent on the bookshelf isn’t real darkness. It’s like a dark bedroom. When the light goes off, you can’t see anything but the dark. But if you stay, if you keep your eyes open, if you pay attention to the dark, your pupils dilate, growing wider, larger, to capture the light that is hidden – a streetlamp, or the moon, or stars. Then you can make out the shape of the bed, a bookshelf, pictures on the walls. You see in the dark. And the things that were frightening, like the monster in the closet, turn out to be a pile of clothes spilling out of their basket. (I know, frightening in its own right!) There was nothing to be afraid of in the first place.
Jenny writes dark fiction that her mother hates. Her stories and essays have appeared in Across the Margin, Pantheon, Shimmer, Black Denim Lit, Skive, and others. When she’s not writing her own stuff, she’s reading mysteries for Criminal Element. When she’s not writing fiction or reviews, she’s writing/directing/performing/designing plays at Springs Ensemble Theatre.