Like that one guy said: Good writers borrow, great writers steal. Welcome to the place where all things have been lifted, looted, and otherwise pilfered…Remember, possession is 9/10s of the law.
I have trouble keeping track of the various eye colors of my characters through one book. In my last completed draft of a book, I caught at least three variations of eye color of my main character’s eyes. Apparently I just couldn’t decide. So, as I read through Christie’s body of work, my main thought is: Damn, this girl’s consistent.
And creative. She paints a definite portrait of Poirot, but uses different methods to get there. The only thing that is perfect every time is the picture of the character.
Take for example the following descriptions of Hercule Poirot’s moustache throughout a few books:
from The Murder of Roger Ackroyd (1926): “Over the wall, to my left, there appeared a face. An egg-shaped head, partially covered with suspiciously black hair, two immense mustaches, and a pair of watchful eyes.”
from Murder on the Orient Express (1934): “Hercule Poirot addressed himself to the task of keeping his moustaches out of the soup. That difficult task accomplished, he glanced round him whilst waiting for the next course.”
from Cards on the Table (1936): “While the Lovely Young Thing made a suitable reply, Poirot allowed himself a good study of the hirsute adornment on Mr. Shaitana’s upper lip. A fine moustache – a very fine moustache – the only moustache in London, perhaps, that could compete with that of M. Hercule Poirot.”
Throughout all of these descriptions, we have moustaches (Poirot’s signature trait), as well as Poirot’s fussiness about his appearance. (There are other creative references to his too-dark hair and egg-shaped head too.)
My good writer buddies, Ali and Deb, both have mentioned to me that they keep bibles for their books. This is something that I’m trying to do with my current WIP. But that’s just to keep me straight on what I’ve done already…it has nothing to do with giving a consistent description in varied, lively ways.
Sure, the descriptions in a series really just have to bring new readers up to speed. It doesn’t have to be new. (Sweet Valley High – I’m looking at you with Jessica and Elizabeth and their perfect size-six super-model good looks!) Generally, readers are gonna skim during those physical descriptions anyway, right?
Well, I say that’s no way to treat your reader!
Homework for this weekend: Take the physical description of your character and spin ’em around a little bit. Feel free to share your experiments in the comments section (if you’re feeling brave) and if you have any tips for keeping character traits straight (say that three times really fast!) please give tidbits! My book’s bible is getting so ridiculously full that I’m not sure how helpful it’ll be to me….