October Goals

New month starts tomorrow, time to decide on what I want to do. This one’s pretty easy, in a difficult kind of way.

1. Finish FJR. The rough draft. Done. Complete.
I write everything out by hand first, so by complete, I mean that I have typed it into the computer as well. Then, on the first Monday of November I’ll hand the whole thing over to my first readers…whoever may volunteer…and not touch the stinky thing again until probably March.
2. Finish critiques.

That’s it. Simple, to the point.

I can’t wait to work on something new. November should be fun.

How September Turned Out

Well, September’s over.

I changed my goals halfway through: to just finishing as much of FJR as I could. I was shooting for something like 50 pages. I got about 30 in and another 11 on the round story chapter…so total for pages was about right, just not all on one piece. Not too shabby.

Didn’t get too far on the whooping J.K. Rowling’s Minesweeper score though. Thanks John.

For the Deadline Naysayers

Ha!

Guess what I finished just now? Three guesses, but you’ll only need one. The round story chapter, you got it. I win! Finished before the deadline!

Now I’m going to soak my aching fingers in ice water.

That Deadline Thingy

All right, so I started out really strong with the round story, and I know exactly where I want it to go.

However, I seem to have dropped it in favor of the novel that I really want to get done by November. This equals trouble for the round story bit because it seems that I have not done a damn thing after I said I was doing so well. Ah well, since it’s due on Sunday, I have decided that I will set aside my own novel and finish the round story. Should be fun, and more in keeping with the ‘last minute’ tradition established by our ilk.

Oh, and I still need to do the critiques for Sunday too.

I will beat back the fiendish Deadline through the use of previously suggested options…

I just don’t know how I’ll type while punching the Deadline in the nose, stomping on its feet, and running faster than the poor bastard behind me….

What ‘Heroes’ Teaches About Editting

Last night Shane surprises me because he’s bought Season 1 of Heroes. And so, of course, instead of working on my novel like I’ve planned all day, I decide that watching the show would be more fun.

After a little while, I definitely felt like I was watching way too much T.V. but I discovered something cool on the extras: the unaired pilot. We watched the actual pilot and then we watched the unaired pilot.

In the unaired pilot, the original radioactive man (remember Ted?) is a Middle Eastern character. That’s probably the biggest change. And Parkman’s whole beginning is rearranged around this Middle Eastern plot, not Sylar. Watching this, the flaws are obvious…not to mention a little too close to home and a little to ‘current events’ to make for a more universally appealing show. There were some parts I really liked–like the fact that radioactive dude was not a Unibomber rip off. I wish they could have kept the Middle Eastern flavor without the terrorist element–that would have made it more believable for me.

As a writer though, it was interesting to watch the edits going on.

I love Heroes and I think the creators made a fantastic, entertaining product. And they did that by editting. By looking at what worked/what didn’t and deciding which way to go…in the end demanding more work from some of the actors (double-time for the guy playing Parkman) and completely scratching other characters. Big plot changes. Terrorists=gone. Serial killer Sylar=in. That involved budget makeovers, physical rewriting, and re-acting for the actors.

So, if T.V. shows can do all that, effecting so many people, why are so many writers scared to re-work their work? It doesn’t involve firing people if you make a mistake…it requires the delete button on you computer. Just you and your work. Next time you’re in a critique group, or you get your work back from someone you’ve asked to read it and they make suggestions that are fairly large. Don’t freak out, please. Consider what they said. Try it out.

You may be brought back for a second season.

Emotional Drain

I’ve just finished a rough area of my novel where the characters have to deal with an intense emotional crisis. Now, it seems like these are the fun scenes to write – the scenes where everything comes to a head. But it’s been such slow going.

Putting people, even imaginary ones, through hell is just no fun. First, there’s the actual pain that must be caused. Second is the reaction to said pain. Third is the challenge of writing a pain-charged scene without coming across as preachy or sentimental. It’s tiring and trying.

The page count slows down because the ‘internal editor’ kicks in saying things like “So-and-so wouldn’t do that!” “How whiny are you trying to make this?” and “Sappy, sappy, sappy.”

I’m not quite done with the scene that I’m working on, but I’m over the hump. I know what needs to happen. Now there’s just saying good-bye and then it’s off the subplot and on to the main story arc. (Yes, that was just the subplot, but it drives a lot of what happens next in the main narrative.)

So, what do you do when you want to avoid sounding whiny, preachy, and now-the-reader-must-cry?

Doing the Math

Today I did the math to discover how far I had to go in my novel before I’m finished. By my guesstimation I have around 15,000 more words to go. That’s not much. So, if I write 500 words a day (two pages) I could conceivably have the rough draft of FJR done in 30 days. One month.

The trick is to do the two pages a day, right?

Plus finishing the round story chapter.

So, we’ll give the official due date for the novel’s rough draft as Nov. 1. It gives me some extra days, plus it gets me done by the time the holidays start rolling around. And it’s done before the baby gets here.